10x10 exercise

Five Variations on a Theme - South Fork by Todd Henson

A couple weeks back I shared a photo of South Fork Quantico Creek. This week we’ll look at the same scene from a slightly different perspective. I moved onto a rock in the middle of the creek and looked downstream. I also experimented with a couple filters, creating different versions of the same image. Then when home I processed the images, combining some to create even more versions of the scene. Below are the results and some discussion of what I did to create each image.

South Fork - The Blue

South Fork - The Blue

It was late October, many leaves having already fallen, with enough stragglers to give a yellow/orange/brown look to overhanging trees. As I sometimes do I wondered what the Singh-Ray Gold-n-Blue polarizing filter would do to the scene, so I put it on the lens and began turning, rotating between various shades of blue and gold. In this first iteration I opted for the bluer side of the filter, but only slightly blue. This might be the most natural looking of the photos here. To get an idea of what the colors in the scene looked like without this filter check out the previous post where I used a warming polarizing filter. It had more green in the scene.

South Fork - The Gold

South Fork - The Gold

Then I turned the Gold-n-Blue polarizer towards the gold side. This seems to have a stronger effect on the colors in the scene. It adds a lot of warmth, perhaps shifting towards colors more common at sunrise or sunset.

South Fork - Combining The Blue & The Gold

South Fork - Combining The Blue & The Gold

When I compared the bluer version with the golder version I wondered how it would look if I combined the two, keeping the extra gold in the upper part with the trees and foliage, and using the bluer part for the lower half with the rocks and water. So I combined the two in Photoshop. I think I prefer this version over either of the other two. What do you think?

South Fork - Seeing Infrared

South Fork - Seeing Infrared

I also happened to have one of my infrared filters with me. This one is perhaps more of a near-infrared, the Singh-Ray I-Ray 690 filter. It lets in a slightly different set of frequencies than the full infrared filter, allowing for shorter exposure times on unconverted cameras but not quite giving as strong an IR effect. In this case the exposure time was 42 seconds. When home I converted the image to black and white in Lightroom.

South Fork - The Works (or Through the Woods Darkly)

South Fork - The Works (or Through the Woods Darkly)

Finally, I had the idea to combine the black and white infrared image with the composite blue and gold image above. I’ve only done this once before so I was curious what other look I could create. I took the time to experiment a bit in Photoshop, trying options I’ve rarely used, and in this case ended up combining them using the Darken Color blending mode.

Interestingly, this image is vastly different from the other where I tried combining infrared and color. With that one I used the Singh-Ray I-Ray 830 filter, which is the full infrared filter, so it provided that nice glowing fuzzy feel. I painted that infrared look onto the color image where I really saturated the colors to fill out the glow, giving a brighter dream-like feel.

In this one I went for a slightly darker look. Perhaps this was that patch of creepy woods you’ve sometimes driven past but never had the nerve to stop and explore. But now that you have, though creeped out, you still see some beauty in the scene. But having seen the general darkness and the almost reddish tones to the water you’re nervous about what else might be out here with you…

Final Thoughts

Well, I hope you’ve enjoyed this little exploration of the possibilities of a scene. I suppose this is similar to the 10x10 exercise I mentioned a short while back, except that here I created different versions both in the field and at home and decided to only create 5 versions instead of 10. Perhaps one day I’ll go back and create 5 more.

Below you can cycle through each image to better compare them:

Do you have a favorite of those I created? Any thoughts on any of them, good or bad?


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10x10 Exercise - Reflections of Early Spring by Todd Henson

I recently listened to an episode of Daniel Gregory’s The Perceptive Photographer Podcast, one of several I enjoy. In it he mentioned a creativity exercise he uses to help us learn more about our work, about patterns and habits we might fall into, and about discovering new ways of seeing and approaching our work.

For a 10x10 exercise you take 10 of your images and edit them in 10 different ways, resulting in 100 different images. He figures over this body of work you can begin to see default editing patterns you fall into, ways you often approach your images. And it also might help you discover other ways of looking at the work, trying things you might not have thought to otherwise try.

So I decided to give the exercise a go, and here are the results of the first image I worked on.

Version 1

Reflections of Early Spring - Version 1

This is a fairly straight forward edit, very close to what I saw in late March of this year.

Version 2

Reflections of Early Spring - Version 2

With this version I went for a softer feel with less color, but focusing on some of the muted colors in the center.

Version 3

Reflections of Early Spring - Version 3

Continuing with the softer feel of the previous version I softened it up a bit more around the edges and took out some of the color, especially the blues.

Version 4

Reflections of Early Spring - Version 4

This time I thought of trying a split toned monochromatic image to give an older feel.

Version 5

Reflections of Early Spring - Version 5

And another split toned monochromatic but shifting more towards the blues.

Version 6

Reflections of Early Spring - Version 6

And pulling out all color we get a black and white image.

Version 7

Reflections of Early Spring - Version 7

Given the reflections I thought it might be interesting seeing how it looked inverted, so I flipped it along the horizon putting the reflections up top and the sky down below.

Version 8

Reflections of Early Spring - Version 8

An obvious choice was turning the horizontal image into a vertical.

Version 9

Reflections of Early Spring - Version 9

I felt like I was running out of ideas, so for this image I zoomed in to focus just on the central part.

Version 10

Reflections of Early Spring - Version 10

For the final image I took inspiration from a great book cover for The Children of Red Peak by Craig DiLouis, a book I’ve not read but one whose cover I really like. Similar to a previous image, I flipped it, putting the sky down below, but I also cropped it to focus on a specific section.

Thoughts

It might be too soon to draw many conclusions or lessons from this exercise since I’ve only performed it on one image so far. But I did see how it can be a challenge to find new ways of processing an image. I think I often see an image a specific way and have to really put in effort to see it in other ways. I did enjoy this process, though. I can see how this exercise could help us creatively, letting us see more potential in a scene. And though this was focusing on processing an image, I think in doing so it could help us see differently when in the field if we’re more open to the later possibilities of what we’re capturing.

And I think this exercise could be applied to other art forms, at least to some extent. If you’re a musician try writing 10 variations of a song. If you’re a sculptor try 10 different versions of the same basic figure. If you’re a writer try 10 different variations of a story or a scene in a story.

What do you think? Did you prefer any of these images over the others? Is this an exercise you might try?


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