Closing Thoughts
Though I might not travel great distances just to visit the Strasburg Museum, I would certainly recommend a visit if you happen to be in the area. It’s a fascinating museum sure to have something to draw your attention, no matter your interests. Keep in mind it’s in an old building and can get warm and muggy during the worst days of summer, though they open the doors and do the best they can to keep it comfortable. And if you have trouble climbing stairs you may need to skip the upstairs displays, though there is plenty to see on the main floor.
I hope you enjoyed this brief tour of the Strasburg Museum in Strasburg, Virginia. Please note, the museum is open seasonally, from May to October when we visited, and may not be open every day of the week, so check ahead to be sure they’re open before you plan a trip there.
Some Technical Notes
And now let’s talk about some technical aspects of photographing inside the museum. This is a dark museum, as many museums are, so photographing within it required high ISO settings to gather enough light to make a workable exposure. I used an ISO between 1000 and 2500 for all the inside photographs, with most at 2000 or 2500. This meant a fair bit of digital noise so I leveraged Adobe Lightroom’s denoise feature to reduce the noise.
I used two lenses inside the museum, a Nikon 16-35mm f/4, and an Opteka 6.5mm f/3.5 fisheye lens. Both lenses are fairly good in low light situations given their wide apertures, and they are wide angle so I could capture more of the museum in each photo. Most of the photos from the 16-35mm were wide open at f/4, with one at f/5.6, allowing me shutter speeds between 1/15 (very slow for handholding) to 1/200.
The fisheye is a manual lens so the aperture settings weren’t captured in the metadata but given some of the starburst flares from the hanging lights I must have stopped down a fair bit (to a smaller aperture). The shutter speeds with the fisheye were between 1/20 to 1/160, with most on the slower side.
I did the best I could to stabilize the camera while handholding, given the range of very slow shutter speeds. It’s a bit easier to do and still get reasonable sharpness with wide angles. I did attempt to correct as much of the wide angle and fisheye distortion as I could in the software, though you’ll still see some curving lines and some softness around the edges of some frames. Overall, though, I’m very pleased with how it all worked out.