Familiar Bluet Damselfly - The Story Behind the Image by Todd Henson

Final image of Familiar Bluet Damselfly

I’d been hiking through a park looking for insects to photograph. I observed and made images of dragonflies, spiders, butterflies, and moths, but I was most drawn to the light blue Familiar Bluet damselfly. Damselflies are fascinating creatures. They are smaller and more delicate than dragonflies, but otherwise look similar. The Familiar Bluet is light blue with patches and stripes of black. It has a long, straight abdomen that can be quite flexible.

What drew me to the Familiar Bluet this day was the nice contrast of the blue damselfly in front of a pale green background of out of focus plants. So I started looking for damselflies with good poses in front of workable backgrounds. The first couple images I made did show the damselfly against a green background, but the background was somewhat busy with blades of grass crossing the frame.

Familiar Bluet Damselfly against distracting background

Better background, but still distracting

Another image I made has the damselfly posed on a curling leaf. The damselfly looks good, but it’s not a very attractive leaf, with several holes and dark spots. One of the holes is lined up with the head of the damselfly, which I find distracting.

Familiar Bluet Damselfly on leaf. Still not what I'm looking for.

Finally, I found a background that seemed more promising. The damselfly had landed on a plant with small narrow leaves that in some ways reminded me of the damselfly’s narrow body. But my first images in this environment had a busy background with a large branch directly behind the damselfly. I found the light areas of the branch distracting, so I kept looking for a different position, watching and waiting as the damselfly would fly from perch to perch.

Familiar Bluet Damselfly. Getting better.

The key to these situations is patience. Stay in one area for a while. Work the scene. Watch the behavior of the insects. Observe how they sometimes return to the same perch over and over again. If this perch happens to be a good one then set up the camera aimed at the perch. Get everything ready and then wait for the insect to return. It often will. That’s what occurred in this situation. I’d found what I felt was an attractive perch. The perch was far enough from most of the rest of the background to keep the background nicely out of focus. The background was light green that contrasted well with the light blue of the Familiar Bluet damselfly. I was able to line up the damselfly parallel enough with the focal plane of the camera to get most all of it in reasonable focus. I’d also stopped down the aperture to f/13 to help give me enough depth of field to cover the damselfly but not too much of the background. This proved to be the image I was most pleased with.

Final image of Familiar Bluet Damselfly.


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Spring Brings Wildflowers by Todd Henson

Blue Phlox (possibly Emerald Blue)

Spring is approaching, and with it come the wildflowers, flowers of all sorts, actually. Last year I started looking more closely for varieties of wildflowers in various parks. This year I hope to continue the search, trying to find photogenic specimens. In this post I’ve included a small selection of flowers I’ve found in previous years. Some are wildflowers, others are flowering trees or shrubs.

Yellow Trout Lily

Cherry Blossoms

Common Blue Violet

Blue Phlox

As the weather begins to warm, keep your eyes out for some of these amazing little flowers. Most are very small and very close to the ground. So look down, spend some time crawling in the dirt, look to the edges of the trails. Put on your macro lens or macro attachments. Turn on your camera’s macro setting if you have a point and shoot. Turn away from the sweeping landscapes for a short while and investigate the closeup details.

Quaker Ladies (bluets)


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Book Review - Fine Art Nature Photography by Tony Sweet by Todd Henson

This post contains affiliate links and I will be compensated if you make a purchase after clicking on my links. This is at no extra cost to you.

Tony Sweet’s Fine Art Nature Photography: Advanced Techniques and the Creative Process is a great little book. The layout is very simple but effective. Throughout the book the right page contains a beautiful photograph and the left page contains a short description of that photo and how it was made.

I will admit this book differed significantly from my expectations, but not in a bad way. I had expected one of the typical nature photography books with chapters on different topics, such as composition, exposure, tools, etc. I have nothing against these books and have bought and benefited from many of them. But this book is all about the study of photographs.

Tony included a wide range of photos that demonstrate many different possibilities when making fine art from nature. With each photo description is a section that states the white balance if it were shot in digital and what filters would be used if shot with film and/or digital. Some of the photos make use of various special effects, which are described. Finally, the meat of the text is a description of the photo, what Tony was thinking when he made the photo, and tips useful in creating that style of photo. As short as these descriptions are it’s easy to overlook them, but there really is a lot of useful content. It’s well worth taking the time to read through each description and study the photo. I suspect I will return to this book often for further study and inspiration. Tony really has an eye for finding the beautiful little moments in nature and for visualizing what’s possible and realizing that vision.

This is a great book if you’re looking for some inspiration and are open to picking up a few pointers along the way. It is not a very technical book, focusing more on the artistic side of photography.


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