Sometimes if you spend enough time working a scene you’ll end up with a very different outcome than you’d first envisioned. When I first saw the grasshopper atop a chrysanthemum I pictured creating a really nice photograph showing off the grasshopper’s olive green against the bright warm pinks of the mums. And that is exactly what I did, initially.
But I kept shooting, changing my angle, looking for different perspectives. I wonder if, perhaps, the grasshopper was getting tired of my moving around just above it, because it slowly started moving from the top of a mum to the side of the flower. I thought that was also a great photograph, so I kept shooting.
And the grasshopper kept shifting, moving away from me, this time hanging upside down underneath the flower. That’s when I began to realize there was another interesting shot I could create.
When the grasshopper went under the flower it shifted into shadow. When I exposed for the grasshopper it ended up raising the exposure of all the flowers, creating this nice high-key image, something I really liked. It gave the flowers a softer feel, while still keeping the grasshopper sharply in focus and the center of attention. This situation is very similar to the Cabbage White butterfly on lace I shared a couple weeks back, where exposing the butterfly properly helped create a soft high-key look to the white lace.
The lesson of the day is one I’ve mentioned a number of times. Don’t stop shooting too soon, even if you think you’ve created a nice image. You never know what else you might create if you keep working the subject, keep exploring, keep experimenting.
So go out there and work your subject, and let me know if you end up with something beautifully unexpected.