National Gallery of Art

National Gallery of Art Master Paintings from the Collection by Todd Henson

Book cover of Daring to Look

One day when I visited my local library I saw this book, National Gallery of Art Master Paintings from the Collection, displayed near the entrance. I decided to check it out and spend some time with it, and I’m glad I did. I have visited the National Gallery of Art, in Washington, D.C., on several occasions so I’ve been fortunate to personally see some of these paintings. But it was still great to view them at my leisure while at home, granted in a smaller format, though this is an oversized book at approximately 9x12 inches. One big benefit the book has over the museum is the text. There are a number of short commentaries on many of the specific works with plenty of details about the artist and their life.

The book begins with a Director’s Foreword by Earl A. Powell. It’s very short but provides lots of background about the museum and its collection. It’s a very young art museum when compared both to other museums in the US and especially when compared to many of the well-known galleries in Europe. It opened in 1941, founded by Andrew W. Mellon, and began with his collection of 121 master paintings. From then on it has benefited from many donations, both of artwork and of funding to purchase artwork. This book contains roughly 400 paintings from their collection, selected by John Oliver Hand, who also wrote the commentaries.

The majority of the book contains the artwork, with some pages featuring a single piece of work, others with multiple paintings on a single page, and in some cases with some detailed portion of a painting blown up to a full page size. Each painting is accompanied by details such as title, artist, date, media, size, and donator. Many are paired with a commentary providing lots of extra details and background.

The book is organized by century, from the 13th/14th centuries to the 20th century. Within each of these sections the paintings are sorted by schools or art: Italian, Netherlandish, German, Hispano-Flemish, French, Spanish, Dutch, Flemish, British, American. I found it fascinating looking for stylistic similarities within schools and differences between them. I also found it fascinating studying how the styles changed over time. And as I found when visiting the actual galleries, there were specific styles and time periods that most appealed to me, and those I generally found least appealing. Being a photographer, I very much appreciated studying how each painter used light within their compositions, how they chose to apply highlights and shading. Some of these paintings really do achieve life-like quality, whereas others intentionally avoid that, using more impressionistic or stylistic techniques.

I struggled to choose a small subset of the 474 pages to show here as samples of what you can expect within the book. Naturally, I leaned towards works I found more appealing for one reason or another. This does mean I haven’t included many modern art pieces, so my apologies if that’s what you’d rather see more of. I obviously had to skip over so many fantastic pieces.

This book is well worth checking out if you can find a copy. And of course the museum is also worth visiting. I’d be curious to read your thoughts on the book, museum or artwork in the comments below.


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National Gallery of Art - West Building by Todd Henson

A statue of Mercury atop a fountain at the center of the West Building of the National Gallery of Art in Washington, D.C.

Today I’m going to depart a bit from nature and outdoor photography. Earlier this year my brother and I visited the West Building of the National Gallery of Art in Washington, D.C. The museum contains such a large number of works of art, I could spend the entire day in that one museum and feel I still hadn’t seen everything. And with so many other museums close by there’s that itch to keep moving, to see more. I don’t get out to museums often enough.

Viewing artwork and a visitor through an entryway. The painting on the left is Saint Benedict Orders Saint Maurus to the Rescue of Saint Placidus by Fra Filippo Lippi. On the right is The Healing of Palladia by Saint Cosmas and Saint Damian by Fra Angelico. In the center is The Adoration of the Magi by Fra Angelico and Fra Filippo Lippi.

Through the archway is a painting by Leonardo de Vinci called Ginevra de' Benci. I love the layout of the museum, how archways become frames into works of art.

I think seeing all this artwork can help inspire creativity. You see how other people have interpreted their world, or expressed their emotions. I’m mostly a photographer, but I love seeing paintings from such a diverse group of painters, so many different styles and subjects. I don’t necessarily enjoy all the paintings, but there’s alway something there to learn from. Seeing how different artists handled light and perspective. A docent showed us one painting where the artist was able to beautifully capture perspective. As you walked along the painting it was almost as if the perspective changed. Fantastic.

A visitor viewing Leonardo da Vinci's Ginevra de' Benci. On the left is Madonna and Child by Sandro Botticelli. On the right is The Adoration of the Child by Filippino Lippi. Again, I love the layout of the museum. I consider that artwork, as well.

The museum is also full of statues and other objects, something I don’t think you can really appreciate except in person. You might be able to view a painting online since a painting is mostly a two dimentional form of art, though there can be some limited three dimensionality with the volume of paint the artist applies to different areas. But with statues you can’t beat seeing them in person. I love photos of statues, and I love making photos of statues. But you really do have to see them to fully appreciate them, the play of light and shadow, the form and texture.

Another example of framing the artwork using the museum archways. Here a visitor studies Saint John of the Cross (San Juan de la Cruz) by Francisco Antonio Gijon. I like how the visitor has his leg out, just as Saint John, and how they both seem to lean in the same direction.

This is another photo of Saint John of the Cross (San Juan de la Cruz) by Francisco Antonio Gijon, but this time without the viewer. Here you can see the entire statue, but I prefer the image with the viewer.

Looking through the photos I made at the museum I realize I’m also drawn to how the museum chooses to display the artwork. There is an art to display. And of course, it’s always fun trying to capture people while they view the artwork. And finally, there is the architecture of the museum, itself. The craftsman that built it were themselves artists.

I love the enormous variety of objects in the museum. Here is the Ciborium for the Sacrament by Desiderio da Settignano.

Winged Victory by Antonio Canova is a magnificent piece beautifully lit such that shadows of the statue float on the wall just behind it. Amazing.

Take some time and visit a museum once in a while. It’s well worth it.

A Morning Stroll By The National Gallery - The West Building of the National Gallery of Art in Washington D.C. This view is from across Madison Drive.


Fine Art Prints by Todd Henson


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