Random Thoughts

Reflecting on an Egret by Todd Henson

Black and white image of a Great Egret reflected in a wetlands pool.

Shhhh… quiet.

Look, just over there. You see it?

A Great Egret quietly walking through the shallow water, eyes focused downward, looking below the surface of the water.

Stay still.

Watch the egret move.

Slowly.

Deliberately.

Gracefully.

Each step causing a slight shimmer in the water, a ripple in the egret’s reflection.

Nature is full of quiet contemplations.


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Autumn Cherry Trees, Washington, D.C. by Todd Henson

Cherry trees along the Tidal Basin during autumn, with the Washington Monument in the background. Washington, D.C.

This is an image I created a number of years ago during early November, when the leaves on the cherry trees in Washington, D.C. change color. These trees are most visited during spring when they are full of beautiful cherry blossoms, but as you can see they are also beautiful in autumn.

The Washington Monument is visible in the center of the image, and the water is known as the Tidal Basin, around which are several other monuments. I was fortunate to photograph a jogger under the trees to the left.

Looking at the image now, years after creating it, I can see things I would do differently. If I could go back I would try to frame the image a little more to the left, showing more of the closest tree handing over the water, which would also move the Washington Monument out of the center and more to the right. I think that might make for a stronger composition.

It’s good to learn from your older photos. Study them. Decide whether or not they work. If they do work do you know why? Can you use this to create more images that work? If they don’t work, why not? How could you improve them? What would you do differently?

Keep these lessons in mind next time you go out shooting and look for ways to apply them. Learn from your past work and keep growing as a photographer. And never forget to keep having fun!

Autumn Cherry Trees is available for purchase as wall art or on a variety of products.


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Young Ringless Honey Mushrooms and Depth of Field by Todd Henson

Small cluster of young Ringless Honey Mushrooms

I found the mushrooms above in one of my favorite parks along a wooded path in late August. I believe these are young Ringless Honey Mushrooms, also known as Armillaria Tabescens, that grow on the roots of hardwood trees in eastern North America. There were several small clusters in the area, all growing on the forest floor below hardwood trees.

It was still early in the day and the trees were filtering the sunlight, creating a soft light on the mushrooms. I thought these might look nice shot with a shallow depth of field and a completely out of focus background, so I took the camera off the tripod and lay down on my stomach, resting the camera on the ground in front of me to get a ground-level view of the cluster of young mushrooms.

Achieving a shallow depth of field was fairly easy with the long lens I had with me. I shot at 440mm and was as close as I could get to the mushrooms and still focus (around 6 or 7 feet). I used an aperture of f/6.3 and given the level of light I boosted the ISO to 1600 to get a shutter speed of 1/60 second. As you can see, this allows for a fairly shallow depth of field.

But looking at the photo now I realize I should have attempted a few shots with smaller apertures to increase the depth of field and get a little more of the mushroom cluster in focus. There wasn’t anything directly behind the mushrooms, so I could easily have kept the background out of focus. I love shallow depth of field, but I need to constantly remind myself to also create images with a larger depth of field. Maybe an aperture of f/8 or f/11 would have been better. I should have experimented more.

So next time you’re out in the woods, take a moment to look down. Maybe you’ll find an interesting mushroom along the forest floor, something worth photographing, or at least worth studying. And if you do choose to photograph the mushroom take the time to work the subject, experiment, try large apertures for shallow depth of field, but also try smaller apertures for more depth of field. Perhaps even try a very narrow aperture to capture the entire scene in focus showing the mushroom in its environment. It only takes a few extra minutes to work the subject, and it’s almost always worth the time.


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