CreativeLive's Create Art Through Photography with Art Wolfe by Todd Henson

Create Art Through Photography with Art Wolfe. Image credit: CreativeLive

Create Art Through Photography with Art Wolfe. Image credit: CreativeLive

Do you ever find yourself looking for inspiration? Do you find yourself falling into the same ruts, creating the same photographs over and over? Would you like someone with passion and creativity to help guide you out of the ruts and help you see the world in different ways, help you seek out and create something new, something abstract and artistic? Art Wolfe may be just the person to help, and his CreativeLive class, Create Art Through Photography, may be just the class to start you down a new path.

Create Art Through Photography is all about seeing the world in new ways. It’s about studying art in all its many forms, visiting museums or surfing the web, viewing paintings and drawings by the masters. Study what has come before, learn to see the different patterns, textures, and lines that draw you into the artwork. And then go out into the world, into nature, and look for these same things. You will find them. The world is full of compelling abstract compositions just waiting for a photographer with the right eye to find it and create a beautiful photograph to share with the rest of the world.

Art starts out the class stepping you through his history, what led him to where he is today. He began as a painter, but eventually embraced photography. He has always loved the outdoors, and would spend much of his time hiking and climbing through woods and mountains. Through photography he found opportunities to travel, to see different cultures. He was drawn to different cultures and became passionate about documenting them before they disappeared. He loves wildlife and has spent much of his career traveling the world and photographing animals of all sorts. If you’ve already watched his previous class, The Art of Nature Photography, then some of this section may already be familiar to you. In the beginning of both classes he goes over his history for those who are not familiar with it.

Through his life, Art has continued to stretch himself artistically. He is always looking for something new to photograph, and for new ways to photograph. New technology has opened up new possibilities, giving him the opportunity to explore photographs that never would have been possible in the past. Art embraces these possibilities.

But he has also explored different subjects, or the same subjects in different ways. Over the years, Art has spent more time looking for the smaller, more intimate landscapes. He has created the large sweeping iconic shots, but he also strives to find the more subtle, less photographed shots.

This class explores the world of the abstract, images where we may not recognize the subject of the photograph. These are abstract expressionist photographs, more akin to the artwork of the great painters. Think Mark Rothko, Piet Mondrian, Jasper Johns, Kazimir Malevich, M.C. Escher.

Art discusses the concept of Wabi Sabi, a Japanese term referencing the randomness and impermanence of nature. It’s about balance, and filling the frame with content so your eyes can navigate through it. He says there is so much potential out there, that we should try to see in ways we don’t normally see. It can take time, but we can train ourselves to do this, to see patterns, textures, and lines, and to capture these in abstract compositions.

Visit museums to help maintain inspiration. Art mines the work of abstract expressionist painters, finding new ways to photograph landscapes. It helps him see subjects he might not have considered years ago. Study artists work, then go out into the world and see what you can find that reminds you of their work. It’s not about copying the work of others, but drawing inspiration from it.

Over time this will become natural and will shape the way you see the world around you. You’ll walk around town visiting locations most photographers never visit. You’ll find compositions most other people would overlook. You can do this in town or out in nature. There are subjects everywhere. Look for line, color, distortion, ambiguity. Art says this is creating metaphors through photography.

In the final section of the class, Art looks through photographs submitted by students. He critiques their composition and brings them into Lightroom to show how he might approach editing the work. I really enjoyed seeing how Art approaches this process, taking the raw file and turning it into something more. You can’t make a bad photograph great this way, but you can bring out the detail and wonder you visualized when snapping the shutter. I think there’s always something of value to be taken from these types of critique sessions.

I was pleased with my purchase of this class, even though I was familiar with some of the content both through a previous class I purchased (The Art of Nature Photography) and through a live presentation I was fortunate to attend. Art considers this class an appetizer for the Photography As Art seminar he teaches in various locations. If you have the opportunity try to attend one of his live seminars. If you’re unable to attend a live seminar, or if you just want to own the videos to watch again and again, then consider this class.

Create Art Through Photography consists of 16 videos totaling about 5 hours of content. It also includes a 150 page ebook, titled On Puget Sound, that is absolutely full of beautiful images by Art Wolfe. When you purchase the course you’re given the ability to download all the videos to your computer or mobile device to watch offline anytime. You can also stream the content from CreativeLive’s website.


Nesting Blue-Gray Gnatcatchers by Todd Henson

Female Blue-Gray Gnatcatcher sitting in her nest, beautifully lit by early morning sunlight

There are times when the trees in some parks are filled with the sights and sounds of Blue-Gray Gnatcatchers. These are small birds with a blue-gray head and back and a white underside. Their call has a lot of volume for a bird so small, and it matches their bravado, as they don’t seem at all afraid of people.

Male Blue-Gray Gnatcatcher sitting on a limb above the nest

Male Blue-Gray Gnatcatcher singing while sitting in the nest. It is actually working on building the inside of the nest.

The photos in this post were created over a two day period when I was fortunate enough to watch a pair of gnatcatchers building a nest on a tree limb very close to the trail. The nest was perfectly situated to be lit by the early morning sun when it wasn’t hiding behind a cloud. This combination of great location and nice lighting enabled me to create some decent images of these fantastic little birds.

Male Blue-Gray Gnatcatcher singing

I found it an absolute joy watching this pair. They would fly away, looking for small pieces of lichen, bark, grass, or spiderwebs, then return to add their find to the nest. They use the spiderwebs to hold everything together. Click on the images for full-screen views, where you can see the lichen and spiderwebs woven through the nest.

Female Blue-Gray Gnatcatcher sitting on a branch

Take another close look at the photos to compare the male and female. You can tell them apart because the male has a black eyebrow, whereas the female does not.

Male Blue-Gray Gnatcatcher sitting on a branch

Blue-Gray Gnatcatchers are one of the many species I look forward to each Spring. What species do you look forward to?


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Smithsonian Arthur M. Sackler Gallery by Todd Henson

Garden entrance to the Arthur M. Sackler Gallery in Washington, D.C.

Flower display in the Sackler Gallery entrance. These are a continuing gift of Else Sackler.

The Arthur M. Sackler Gallery and the Freer Gallery of Art are the Smithsonian’s museums of Asian art. These museums are located in Washington, D.C., along the National Mall. A few weeks back my brother and I visited some of the Smithsonian museums, the Sackler being one of them. The Freer Gallery was closed for renovations when we visited, and is scheduled to reopen in October 2017.

One of the first exhibits we viewed was a fantastic suspended sculpture, titled Monkeys Grasp for the Moon, designed for the Sackler by Chinese artist Xu Bing. It consists of twenty-one laminated wood pieces, all hung together to form a long chain hanging in one of the gallery’s stairwells. The wood pieces spell the word monkey in a dozen different languages. It’s a fascinating piece and beautifully displayed.

Side view of Monkeys Grasp for the Moon by Xu Bing in the Sackler Gallery

Looking down at Monkeys Grasp for the Moon by Xu Bing in the Sackler Gallery

The Sackler contains sculptures from all over Asia. Included here are a sampling of some of these wonderful pieces.

Shiva Nataraja (Lord of the Dance) at the Sackler Gallery

Indian Figure of Shiva at the Sackler Gallery

Head From a Figure of the Buddha at the Sackler Museum

Shiva Vinadhara (Holder of the Vina) at the Sackler Gallery

One of the major exhibits was titled Chinamania, and consisted of many pieces of Chinese porcelain. In the first room we see two large stupas built from many porcelain sculptures. The nearest stupa is called the Dark Stupa and the further one the White Stupa. They’re displayed in a dark room with fantastic lighting, focusing the eye right on the two stupas. I was really drawn to this display. So much detail, with all the individual porcelain pieces making up the larger sculptures. Fantastic!

Chinamania Dark and White Stupa at the Sackler Gallery

Chinamania White Stupa at the Sackler Gallery

Check out a video showing the creation of the Dark and White Stupa:

Next to the Dark and White Stupa is Filthy Lucre, an entire room that reimagines the original Peacock Room. The room, designed by Darren Waterston, is very dark with red and white lights shining in key locations. It is full of shelves, many collapsing, containing various porcelain pieces. It is a very dark and moody room.

Filthy LucrePeacock Room ReMix at the Sackler Gallery

Watch the story behind Filthy Lucre:

And here’s a behind the scenes video of the creation of Filthy Lucre:

Just beyond Filthy Lucre is a beautiful display of blue and white ceramics from China’s Kangxi period. These are also in a very dark room, but are arranged in lit shelves. It’s a very beautiful display.

Chinamania Blue & White Porcelain at the Sackler Gallery

The final display we viewed was the Turquoise Mountain exhibit, which was a room full of works created by modern Afghan artisans. The room opened with displays of woodwork, encouraging visitors to touch the work and see and feel the craftsmanship. There were a number of large carpets displayed, along with ceramics, jewelry, and various other crafts. It was a very beautifully designed room with a large central gazebo with cushioned seats.

Turquoise Mountain exhibit at the Sackler Gallery

I was most impressed with the lighting in the Sackler. Many of the displays and exhibits were just beautifully lit. Many were in dark locations with the light specifically focused on the display, drawing your attention right there. It was easy to lose track of everything else, even other people in the museum. Everything but the display faded into the background, leaving just you and the artwork. I really enjoyed this. We photographers can certainly learn a little about lighting by studying the ways displays are lit in museums such as this.

I would strongly encourage you to visit the Smithsonian’s Sackler Gallery if you have the opportunity. And if you have already visited let me know what you thought of it. What were the major exhibits when you visited?


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