Respect Wildlife: Don't Touch! by Todd Henson

Blue-gray Gnatcatcher building a nest. Keep a respectful distance when photographing or observing nesting behavior. Don't stay at the site very long. Don't disturb anything.

I love photography, and I love photographing wildlife in its own environment. But the photograph has to be secondary to the welfare of the animal. We can’t endanger or harasses an animal just to get a photograph. If we don’t respect and protect the wildlife we enjoy watching and photographing, we may lose the privilege, either because the parks we visit restrict access or because the wildlife moves off or dies off.

I've read several news reports over the last year about people mistreating wildlife, sometimes just to capture a selfie, but other times thinking they were helping. It's sad. I'm hopeful some of these people are just ignorant, they don't realize the damage they're doing. I’m hopeful over time they’ll learn and change their behavior. But I fear some people just callously don't care.

The most recent incident I’ve read about involved a mountain goat in Seward, Alaska. The goat entered a populated area, something that is apparently unusual. When it made its way to the harbor people were following it, trying to get pictures. They kept following it, giving it nowhere to go but towards the ocean. It jumped or fell into the ocean and drown. If people had not crowded it, if they weren’t so determined to get close and photograph it, perhaps it could have made it’s way back out of the populated area. And perhaps not, but at least it would have had a chance.

Earlier in the year a couple of tourists at Yellowstone National Park apparently saw a bison calf they felt looked cold, so they picked it up, put it in their truck, and drove it to the ranger station. The rangers brought the bison back and tried to reunite it with the herd, but the herd rejected it. They later euthanized the bison because, having been abandoned, it kept endangering itself and others by approaching tourists and cars. Though it does appear these tourists meant well, and it’s entirely possible the calf would have died anyway, they never should have approached the animal. If the mother had been nearby the tourists could have been attacked. And by interfering with the calf it is entirely possible they were responsible for the mother rejecting it. Wildlife doesn’t care whether we mean well.

There have been several reports of people picking up and taking home harbor seal pups along the U.S. northwest coastline, thinking they had been abandoned by their mothers, not realizing mothers often leave pups for long periods of time so they can hunt for food. Unfortunately, the pup sometimes dies as a result of what are often well-meaning, but ignorant people. 

Perhaps some of these reports have left out important details. Perhaps, in some cases, animals are already dead when people approach them. Either way, in most cases they should be left alone. If people feel the need to try to help they should leave the animals where they are and contact organizations better suited to helping injured or abandoned animals. Contact an animal rescue group. If it’s on park land contact the park authorities.

I recall one instance of the correct way to help wildlife. A large osprey nest in a park fell from a tree with a mother and a couple chicks in the nest. The nest landed near a trail. One of the regular visitors of the park saw the fallen nest and osprey. Instead of approaching too close he called the park’s wildlife biologist, then waited by the nest to keep watch and assure no one else approached until the biologist arrived. If he had approached too close he could have been injured, as osprey have very sharp talons and beaks. Or one of the birds could have become agitated by the approach and injured itself. When I happened to arrive at this part of the park the biologist was putting the injured osprey in her truck. She was taking them to a raptor rehabilitation facility. From what I heard later the mother and one of the chicks recovered enough to be released back into the wild.

If you’re new to watching and photographing wildlife, please learn from these examples. Don’t approach wildlife too closely. Don’t harass animals. Don’t feed them or attempt to touch them. Watch from a distance. Observe the behavior of the animal. You can tell if an animal is ok with you being there. If it becomes agitated, if it tries to move away from you, then you’re too close. Move away, perhaps leave and come back another day. You know you’re observing wildlife correctly when the animals seem to completely ignore you. I’ve been in situations where the wildlife I was observing lay down and went to sleep right in front of me. I love those moments!

Young sleeping fox. Don't get too close. Don't try to touch or pet wildlife, no matter how cute they appear.

By all means, go out into nature, observe and photograph wildlife. But realize it's a privilege to be this close to wildlife, a privilege than can be taken away or destroyed if we misuse it. Learn to respect the wildlife. Learn to care more about the wildlife than the photograph. Then when you view or capture a beautiful wildlife moment it will have even more meaning.


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Book Review - Edward Steichen: Lives in Photography by Todd Henson

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Edward Steichen: Lives in Photography, by Todd Brandow and William A. Ewing, is an absolutely beautiful book. Physically it’s a little over 10x12 inches and about an inch and a half thick. It contains a very nice selection of Steichen’s work printed on thick, quality paper that brings the photos to life. It contains over 200 photographs, most printed full page (one per side, not spanning two pages). The majority of the photographs are black & white or sepia, but also include several examples of color work, both early alternative processing and later full color photographs.

Steichen as Symbolist

The book is largely organized chronologically. After the preface and introduction is the first major section, titled Steichen as Symbolist. This section contains 4 essays and 2 groups of photographic plates, one covering photos made between 1895-1914 and the second between 1915-1922.

Some of his earliest work resembles paintings, which is appropriate given his early exposure to great painters of the time, such as Vincent Van Gogh. Steichen helped photography become recognized as a fine art such as painting and sculpture. During this time he met Alfred Stieglitz, the editor of the photography journal, Camera Notes. Later Stieglitz and Steichen would work together on a new journal, Camera Work, which would publish many works by both artists, as well as many others.

Steichen joined the military during World War I. He trained others on developing and printing aerial negatives and contributed greatly to advancements in aerial reconnaissance photography, establishing photography as a valuable tool for the military. After the war he began exploring the spiral form and the Golden Section. He studied the history of the Golden Section, how it was used in ancient architecture and various art forms. He also explored alternative photographic processes, and began experimenting with early forms of color photography.

Steichen as Modernist

The next section is titled Steichen as Modernist, and also contains 4 essays and 2 groups of photographic plates, one covering photos made between 1922-1936 and the second between 1940-1955.

These later periods display more portraits and fashion photography, as well as more modern portrayals of architecture and products from his work as a commercial and advertising photographer. The photographs exhibit his increasing skills using light and composition as he continued to turn whatever he photographed into artwork. It was during this time he worked for Conde Nast Publications and was published in many of the most well-known publications then and now, such as Vogue and Vanity Fair. He became an industry leader who inspired the work of many others. This was also the time period when Steichen put together the exhibition he may be most known for, The Family of Man.

Lives in Photography

The final section, titled Lives in Photography, consists of a chronology, bibliography, various other lists, and an index.

I couldn’t be happier with this book. It’s a beautiful way to study and learn about Edward Steichen, one of the great names in the history of photography. The essays are excellent. The photographs are remarkable. And the book, itself, is a quality product, both paper and layout. I highly recommend this book if you have any interest in Edward Steichen and his photography.


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Stretching Female Red-Winged Blackbird - The Story Behind the Image by Todd Henson

Female Red-Winged Blackbird stretching between two cattails.

One of my regular locations is a park that includes a large area of wetlands, with boardwalks over some areas of water. Parts of the park would fill with cattails. Later in the year, when the cattails had turned brown and the puffy tails were falling off, Red-winged Blackbirds would flock amongst them, pulling off fibers from the aging cattails.

On this day I found a location where several female Red-winged Blackbirds were gathered. They were flying from cattail to cattail. I watched and photographed them, enjoying their acrobatics as they moved amongst the cattails.

One particular blackbird caught my eye. She was on a cattail spaced not far from a couple others. Instead of hopping or flying to the other cattail, as most of the other blackbirds were doing, she stretched her legs apart until she was straddling both cattails, with a piece of fiber in her beak. I was fascinated by the sight. She reminded me of movies with Jean-Claude Van Damme, when he hides on the ceiling of a hall, legs spread apart holding himself up. Amazing acrobatics!

I love spending time observing wildlife. It’s always full of surprises. Have you observed any amazing wildlife behaviors? Comment below and let me know.

Stretching Between The Cattails is available for purchase as wall art or on a variety of products.


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