failure

Photo Failures: Smoke & Clouds by Todd Henson

 

This photo is a failure. Can you spot the flaws?

 

Let me start off by saying I like this photo. I was hiking with my father earlier this year before all the lockdowns and closures, and I was drawn to the pattern of the clouds and smoke in the sky and their reflections in the pond, and how they framed the tree on the far shore. And I think it works reasonably well processed in black & white. I debated posting it with a story about my thoughts when creating it, but in the end I decided to use it as an example of a photo failure.

Failure can be a strong word. Whether something is a failure often depends on how it will be used. This photo might work perfectly well displayed at relatively small sizes online. And for that purpose it might be a success. But problems may show if I try to print this beyond a certain size. And each time I view the photo I keep seeing, and remembering, my failures during its creation which led to what I currently see as a flaw in the photo. In the future, perhaps, my views might change, or I may reprocess the photo in a way that satisfies me. But for now, I’ve put it in my failures bucket.

Why? What’s wrong with the photo? What don’t I like about it? Can you guess? It might not be overly obvious at these smaller sizes.

And more importantly, what don’t you like about it? Or do you like it? Even though I currently consider it a failure I do still like it.

My issue with this photo revolves around focus. I was using my 105mm macro lens and just prior to noticing this scene I’d been photographing some lichen closeups. When I finished with the lichens my aperture was wide open, all the way to f/2.8. I’d done this because I was looking for very shallow depth of field, trying to focus on very small portions of the collection of lichen. Then I stood up and caught sight of the smoke and its reflection. I saw how it framed the tree and thought it looked interesting. So I walked down to the small dock on the pond and began photographing. Because I was using the 105mm I couldn’t fit the entire scene into a single photo, so I stitched together two photographs, one of the top of the scene and the other of the bottom. That’s no problem. I was hand holding but Lightroom does a great job stitching so I wasn’t worried.

The problem was I forgot to check my aperture setting before photographing this scene. Remember, I’d been working a macro subject, then got right up and began photographing this with the same settings. I pictured this scene as being completely in focus, meaning I needed a smaller aperture. But I had the lens wide open, which creates a shallower depth of field. Not only that, but it appears I didn’t focus on the main tree, instead focusing on the line of background trees. That means the shoreline and the tree are all slightly out of focus. And because I know this that’s what I notice each time I view the photo.

As I said, I may try reprocessing this photo at some point, see if I can come up with some way of getting around the focus issue. Maybe it’ll become part of another project, perhaps composited with other photos. Maybe I’ll get used to it or come to like the shallow depth of field and choice of focus point. Or perhaps it will remain in my failures bucket, a reminder to remember to check my settings before moving from one subject to another.

I hope you’ve enjoyed this little exploration of making and, hopefully, learning from mistakes. Failures are not a bad thing. They provide us the opportunity to learn, and through learning and practice we can better our craft and our artwork. Thanks much for reading!


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Photo Failures: Yellow-rumped Warbler by Todd Henson

 

This photo is a failure. Can you spot the flaws?

 

This is the first of what may turn into a series of posts about my photographic failures. We tend to learn more from our failures than our successes, so it can be a valuable exercise studying our failed photographs to determine what went wrong, and what we could have done to turn the failure into a success.

Take a close look at the photo above. Click on the image for a larger view. What do you like about the photo? What problems do you see?

When analyzing my photos I first focus on what I like about an image. What did I do right? In this case I like the general pose of the Yellow-rumped Warbler, the position and angle of its body. The image does a reasonably good job of showing the colors and patterns of this bird. I really like the clean, solid color background. I intentionally positioned myself to have this sort of background. I like the general composition, the placement of the bird in the frame and how the tree runs along the right side of the frame.

But why is the photo a failure? What do you think? Do you see any issues? I see a couple. The most obvious is the bird moved during the exposure, resulting in a blurry head. Blurry subjects like this rarely work. There are exceptions, but I don’t believe this is one of them. The second issue is the angle of the birds head. Notice it is slightly facing away from the camera? This isn’t a major issue but it can detract. It would have been much better had I captured the bird with its head tilted more towards the camera. It would have created a more pleasing angle, and the resulting eye contact would have increased the chance of engaging the viewer. Eye contact with the subject can strongly bring the viewer into a photo.

Thankfully, I was able to create a similar photo, one I consider a success. Compare the two. Do you see the differences?

This photo is a failure.

This photo is a success.

Now take a look at a zoomed in comparison of the two photographs. You can more easily see the issues I mentioned with the failure, and the slight shift in head angle and focus that made the second successful. Notice how much better the image looks when the subject is in focus. And do you see the difference in the angle of the head, how in the failed photo the head is facing slightly away but in the successful one it is angled a bit more towards the camera? Another benefit of this is a small catch light in the eye in the successful photo. It’s a small and subtle thing, but catch lights can enhance viewer engagement. We seem drawn to eyes, and eyes with a catchlight often catch our attention more than those without.

A comparison of the failure and the success. Can you spot the differences?

I hope this exercise was useful. We all create photographs that just don’t work. In fact, most of us will create far more of these than we will successful photographs. But don’t let this discourage you. Each failed photograph can be an opportunity to learn and to improve our photography.


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Sign up to receive periodic emails with updates and thoughts. Don’t worry, I won’t spam you. And please consider purchasing artwork or products from my online store, and using my affiliate links in the sidebar to the right when shopping online.

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