2021 Holiday Promotions by Todd Henson

The holidays are approaching. And what does that mean? Holiday Promotions!

My work is sold through Pixels, also known as Fine Art America, and this year they are offering the following promotions. Here’s your chance to purchase some of my photography either for yourself or as a gift.

The promotions begin at 12:00 AM Eastern U.S. time on the listed start date and end at 11:59 PM Eastern U.S. time on the end date.

Take advantage of these promotions to bring a little artwork into the lives of those you care about. And please share these offers with anyone else who might appreciate them.

Todd Henson on Pixels / Fine Art America

Thank you for all your support. Have a fantastic holiday season!

When Autofocus Fails Us by Todd Henson

Fall foliage along the marsh

We can learn much from our mistakes, so I think it’s very important to acknowledge them. Today we take a look at a situation where autofocus can fail us. Autofocus works best when there is some obvious contrast it can latch onto. It can struggle when you have a busy background, especially with a subject that blends into the background.

Today’s scene is of some trees and fall foliage along the edges of a marsh. I was immediately drawn to the lighter colored bare trees in the middle that, to me, stood out nicely against the colors of the foliage in the background and the darker brush in the foreground. However, my autofocus system with whatever settings I had, chose to latch onto the background trees with the colorful foliage, leaving the main focus, those white trees, slightly out of focus. I like the composition and I like how it looks when viewed small. But when you zoom in or attempt to print this large enough the focus issue becomes far more apparent.

Mistakes I Made

So, what did I do wrong?

To set the scene, I was shooting with my 200-400mm lens, a heavy and bulky lens. This lens is long enough it can be prone to vibrations when shooting with too slow a shutter speed. Additionally, I didn’t want a lot of movement in the trees and leaves. To keep the shutter speed from dropping too low I ended up using a larger aperture than I’d perhaps have preferred, at f/5.6. The trees weren’t all that far apart, but at 200mm f/5.6 can be shallower than you think. But I was ok with the colorful trees in the background being a little out of focus provided I could capture the lighter colored foreground trees in focus. In fact, that might even make them pop out a little more against the background. Granted, if I’d had a wider angle lens I’d likely have used a smaller aperture. But you work with what you have.

Speaking of working with what you have, at 200mm I couldn’t capture what I wanted of the scene. So I chose to create a stitched panorama and shot a sequence of 9 images in a 3x3 grid to capture the entire scene I was interested in. Here’s where one of my mistakes came in, though in the end it was a minor one. When shooting panoramas it’s best to find the appropriate exposure settings for the overall scene and then shoot in manual exposure mode so it doesn’t change from shot to shot. I forgot to do this. I was shooting in Aperture Priority mode which kept the aperture fixed at f/5.6. But the shutter speed varied from 1/200 to 1/500 second. Thankfully, the software does a good job of equalizing and blending exposures when you make the mistake I did.

The biggest mistake I made was blindly trusting my autofocus. I should have known that a busy scene like this had risks. I should have looked closely at the scene on the LCD, zooming in to verify the focus was where I wanted it. But I didn’t. I picked a tree, hit the autofocus button, locked in that focus, then shot the pano. As mentioned, the autofocus latched onto the colorful trees in the background and not on the foreground trees I wanted in focus. I’ve included a zoomed in closeup that might let you better see this. On a small screen you may never know my focus was off, but view on a large enough screen, or on paper, and it stands out.

A zoomed in view to better see how the foreground tree is out of focus while the background trees are in focus.

Lessons Learned

So what could I have done to rescue this image?

The most important thing I could have done was viewing the images on the LCD after creating them, or using live view mode before shooting, and really zooming into the scene to be sure I had the focus right. And if autofocus wasn’t working I could have switched to manual focus and fine tuned it. Live view can work very well for this because you can zoom in and see how manually adjusting the focus affects the look of what you’re trying to focus on.

Another option I had was to stop down my aperture more, perhaps to f/11, to give me a bit more depth of field. Perhaps I could have chosen an aperture where almost the entire scene was in focus, which would have prevented the problem from happening in the first place. But to do so I might have had to raise the ISO to give me a fast enough shutter speed to prevent too much movement in the leaves and any problem from vibration within the lens. Doing that could have introduced digital noise into the photo, some of which might have been dealt with using noise reduction in software. There are always trade offs when shooting, and this is an example of what some of those trade offs are. There’s no one right answer, it all depends on what you’re trying to do. And of course, what you happen to think to do while in the field.

The other thing I should have done was to set the exposure manually. This is almost always preferred when shooting for a stitched panorama. The software is pretty good at dealing with issues here, so it’s not quite as critical as it once was, but still, it’s always preferred to get the best shots possible while in the field instead of relying on software to save you after the fact.

I share my mistakes in hopes they might help you avoid similar ones. And also perhaps to provide a little entertainment if you’ve made similar mistakes yourself. No need to beat yourself up. Get a good laugh at what you’ve done and then try your best to learn from your mistakes so you can do a better job next time (though I have to admit I’ve made this same mistake many times before). And finally, never let your mistakes take away from the enjoyment of getting out there and photographing. If this isn’t fun it isn’t worth doing.


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These Silent Woods by Kimi Cunningham Grant by Todd Henson

An advance readers’ edition of These Silent Woods, by Kimi Cunningham Grant

This post contains affiliate links and I’ll be compensated if you make a purchase after clicking on my links, though this won’t cost you anything extra. Thanks much!

Every so often I like to share something mostly unrelated to photography, though when it comes to creativity I think all pursuits are related. We can learn much from folks pursing arts and crafts that differ from our own. And of course, there’s the simple pursuit of enjoyment, itself, and isn’t that worth something, too?

Today I want to share a book I read which should be available as of today (November 16, 2021). I was fortunate to win an advance readers’ edition of These Silent Woods by Kimi Cunningham Grant through a goodreads giveaway.

What first struck me about the book, what prompted me to enter the giveaway, was the cover. I loved the design of it, how it was a simple photograph, mostly with dark shades of blue, and a small snow-covered clearing in the lower right with the red house. I liked the placement of the words in the title, how they led you down to the house, and how they changed color from black to red, with the author’s name then in a lighter color. I even liked how the ‘W’ in ‘Woods’ is slightly hidden behind a ridge, helping to convey depth. I think the cover does a great job setting up the story, leaving us feeling curious about this little house all alone in the mountains. It’s cold. It’s quiet. But the house is nestled in and protected by the forest. I could see myself enjoying living in a location like this.

The story was not what I expected, and yet I wasn’t at all disappointed. I just reread the book’s description on goodreads and it does seem accurate. I think I was expecting more of a thriller full of suspense and tension, and there’s certainly some of that here, but I think it’s more a book about people and most especially about a father and a daughter and what one will do to protect and hold on to the other. And it’s a book about subtle mysteries, where the father, Cooper, has already done things to protect his daughter, Finch, but we don’t know right off what those things are or why they drove the two to live in this secluded cabin in the woods. And that’s what the entire book is then about, slowly revealing how they came to be where they are, what kind of people they ultimately are, and how it will all turn out, with plenty of foreshadowing throughout.

I really enjoyed the characters, they felt real. We have Cooper, who’s been through a lot but manages to have a beautiful daughter and does all he can to provide for her. There’s Finch, his young daughter, who loves growing up in the woods and absolutely thrives there, but who also begins to wonder more about the world at large the older she gets. How long can this seclusion go on? There were many touching moments between the two. And we have Scotland, a neighbor of sorts who also lives out in the woods and keeps watch on Cooper and Finch. But why is he so interested in them? Can he be trusted? Over time we meet others, though not many. It’s a fairly small cast.

Being a photographer I loved the inclusion of photography, though it was a very minor part of the story. After all these years of peaceful seclusion they one day begin noticing evidence of a photographer prowling through their part of the woods. What is the photographer doing here? And what do they know about Cooper and Finch?

I also loved the attention to nature and the animals they encounter. In fact, Cooper and Finch aren’t their real names, but aliases to help hide their identify. Cooper is named after a Cooper’s hawk, and of course Finch is named after the species of bird. The setting worked really well and it’s one I’ve always enjoyed, a secluded cabin up in the mountains surrounded by forest with plenty of space for hiking and exploring. When the snow sets in it seems a beautiful location, though you do appreciate the seclusion and the realization they’d have to make do until the snow cleared enough to travel, not that they travel much.

I will admit to occasionally having doubts about whether they’d have ended up as they did, wondering if life would have happened differently outside the story, but these didn’t really detract much. And in at least one case my doubts were later addressed, which I was very happy to see.

Overall I very much enjoyed These Silent Woods and would be up for reading more by the author. The pace picks up significantly towards the end, giving us a bit of that thriller feel, the uncertainty of how it will all turn out, while also weaving in some incredibly emotional scenes. This was a heartfelt story exploring relationships, what we’d do for those we care about, who we are and how the past shapes us, how we look at and judge others, and what sacrifices we’re willing to make for others. A beautifully told story.


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Sign up to receive periodic emails with updates and thoughts. Don’t worry, I won’t spam you. And please consider purchasing artwork or products from my online store, and using my affiliate links in the sidebar to the right when shopping online.

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