Todd Henson Photography

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A Visitor To The Wild Potato Vine

A visitor to the wild potato vine.

In mid-July my father and I walked around the shoreline trail of Occoquan Bay National Wildlife Refuge. I’m often drawn to the various flowers, many of which look very similar. In this case we found what I believe was a wild potato vine (Ipomoea pandurata), a member of the morning glory family, with their beautiful white flowers and deep pink interior. 

As I was attempting to find a decent view of a flower an insect, I believe some kind of bee, flew right into the one I was looking at. I then focused all my attention on that flower, getting as close as I could and attempting to see into the dark interior of the flower. The insect had flown in head first but by the time I had my camera positioned it had turned itself around and was facing me. I’ve photographed insects like this a few times and always enjoy the view it presents. Notice how the insect has its legs splayed out pushing against the flower to position itself.

Below is a slightly wider view to show the flower with the vines and leaves, and if you look closely, the tail end of the insect.

A wider view of the wild potato vine flower with the bee inside.

Tech Talk

For those technically inclined, I was photographing with my 105mm macro lens. It was an overcast day so I had my ISO up a bit to better see into the darker regions and still keep a high enough shutter speed for me to handhold.

For the wider view I used an ISO of 800, an aperture of f/6.3 and a shutter speed of 1/640. These were general middle-of-the-road settings while I was exploring the scene.

When I moved closer to see inside the flower it might have made sense to raise the ISO to better see the much darker region, but I didn’t think of that and was working fast before the insect left the flower, so I stayed at ISO 800. I was much closer to the subject so I had the foresight to stop down my aperture to f/9 to try to get more of the insect and interior in focus. The closer you get the shallower the depth of field. Stopping down the aperture helps get a wider depth of field with more in focus, and at this close range the depth of field is very small even with smaller apertures. But stopping down the aperture requires a slower shutter speed (ah, physics!), in this case 1/320 second, which I hoped was still fast enough for a sharp image.

In the end I’m pleased with how it turned out.


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